Redon The work on of Odilon Redon (1840-1916) vividly illustrates the theories of Symbolism. In reaction to his Impressionist contemporaries, whom he accused of aiming too pathetic, Redon sought to combine mankind de chambre beauty with the nimbus of apprehension. In creating such work as Closed Eyes, The Birth of Venus and The chariot of Apollo, he unlocked the assenting to the invisible. Imbued with the music of Wagner, enraptured by the poetry of Edgar Allan Poe, Baudelaire, and Mallarm?, he commit expression to his obsessive fears and dreams in the prints and charcoals he called his noirs.
Then, gradually, colour began to strain into his work, and the fallen angels, hideous monsters, gnomes, giants and barbaric forms gave way to women, bouquets of flowers, mythological subjects and butterflies. Oils, pastels and watercolours cross off a turning dot in his creative inspiration, be forth in a new and exceptionally rattling(a) discussion of colour. Serenity now took the post of fear. Thi...If you want to sop up a full essay, arrange it on our website:
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