Read Act I of the play, then go to the denomination and listing at least two examples for each of the spoken communication patterns you pitch found in Act I. Give the look and lineage number where you find each example. 1. Unusual pronounce arrangement I could a tale unfold (I, v) In my minds eye (I, ii) It can non come to good (I, ii) It started same(p) a criminal thing (I, i) Leave her to heaven (I, v) More honoured in the let out than the observance (I, iv) More in sorrow than in anger (I, ii) Neither a borrower, nor a lender be (I, iii) Not a mouse soul-stirring (I, i) O my adumbrative soul! (I, v) Something is rotten in the state of Denmark. (I, v) So untold for him (I, ii) There are more things in heaven and earth, Horatio, Than are dreamt of in your philosophy. (I, v) This too too solid flesh (I, ii) To thine feature self-importance be neat (I, iii) 2. Omissions Tis bitter cold (I, i) Tis lawful: tis true tis pity, Tis now struck twelve; get thee to bed, Fra ncisco (I, i) 3. lecture not quite our own (unusual words) That it should come to this! (I, ii) All is not well (I, ii) Frailty, thy soma is woman!
(I, ii) Give thy grammeghts no knife (I, iii) I am sick at heart (I, i) tis = it is; ope = chip in; oer =over; gi = give; neer = never; i = in; eer = ever; oft = a lot; a ~=he; een = even 1. Second someone pronouns: thou, thy, thine, ye 2. Verb inflection: second person thou + a-t, -st, or -est = thou art, thou seemest; may be undertake: thou seemst third person he, she, it + add -eth =... If you privation to get a full essay, order it on our website:
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